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Search Results for: Mott the Hoople

May 18, 2016

Our interview with “Dude ’72”

Dude 72, Mick Rock, Tony Campbell, Dude '72left: Mick Rock’s photo, “Dude ’72”; right: “Dude ’72 #2” (from the same photo shoot) recently published by Tashen

Dude 72

I’ve written several times here about Mick Rock’s wonderful photo (above left) of the boy with the cardboard guitar from 1972. Originally earmarked as the album cover for the Bowie-produced Mott the Hoople album, All the Young Dudes, but then set aside in favor of the 1917 illustration that we discussed last week.

I recently had an opportunity to ask the boy himself—Tony Campbell, now 51—what he remembers about that day. He remembers the day Mick Rock took his picture. But surprisingly, up until about a month ago, he had never seen the photo.

Cardboard Guitar at the Adventure Playground

Randy Ludacer: I’ve read that the location of the photo was a kids “play centre” which might have been one of those UK “adventure playgrounds” that sprang up in the 1960s. How did you come to be modeling for Mr. Rock at that particular time and place?

Tony Campbell: It was an adventure playground on Regent’s Park Estate, I use to play there…. My dad, aunt, uncle and cousins lived there. That day there was a festival going on. I was just playing around and who I now know to be Mick Rock, asks if he could take some pictures. I can’t remember where the guitar came from but it wasn’t me [who made it] and unfortunately I can’t remember who applied the makeup.

RL: I hear that, in the photo, you had been asked to sing a song. What song was that?

TC: I do remember the song I sang and it was….. Dream by the Everly Brothers.

RL: When did you start learning to play (non-cardboard) guitar? What bands did you like growing up? Were you in some bands of your own?

TC: At that time I liked T-Rex. (my cousins named their dog Rex)… I grew up loving music… loved Led Zeppelin, Pink Floyd, The Clash and The Jam…. I do play guitar but not good enough to be in a band :-(

Mott the Hoople (mentioned)

RL: I’m guessing that the idea of using a photo of you as the cover for Mott the Hoople’s album came afterwards. I was wondering when you learned that it had been originally slated for the cover. Years later? I’ve always sort of disliked the illustration that they went with instead. How do you feel about it?

TC: I remember at the time something being mentioned about Mott the Hoople, but only discovered the photo last month. I think they should have stayed with my picture;-)!!!

Third_Eye_Blind_Out_Of_The_VeinRL: Did you know that the photo was eventually used as an album cover in 2003? [on right]

TC: Thank you for pointing out that the dude photo was used for the Third Eye Blind album!! I wasn’t aware.

“Randy 1” and “Randy 2”

RL: I heard an unpublished telephone interview with M. Rock where he talked a little bit about the Dude ’72 photo. He mentions another boy with you that day — “a black pal” who he says he also photographed with the cardboard guitar. I wonder if it could have been him who made the guitar?

TC: I’m not sure whether my friend made the guitar. But what’s funny is him and his twin brother were nicknamed “Randy 1” and “Randy 2.” I lost contact years ago.

RL: After he grew up, what did Dude ’72 do for living?

TC: I had many jobs: selling flowers, lift engineer mate, van driver and many more. I went back to education about ten years ago and I became a qualified drink and drug worker… I’m a bus driver at the moment and it’s OK!! I only work early shifts and no Sundays. I’m lucky!!

RL: Right around the same time that I found out about you being Dude ’72, I also learned that the illustration that they used on the Mott-the-Hoople cover (instead of your photo) was a reprint of a clothing ad from 1917. So I’m writing one post about the old magazine ad that they copied, and then another post about you being the boy in the Dude ’72 photo.

TC: Wow, like buses “two come along at the same time” (an expression we use in London) good luck with writing your post!

TonyCampbellTony Campbell (Dude ’72) relaxing with his guitar (on left) and with his daughter, Kirstie (on right)

A heartfelt thanks to Tony for sharing his story and to Anna for introducing us!

A fashion observation: interesting to note that, in the photo on the right, Tony is wearing an old-fashioned flat cap — the same type of hat that one the “young dudes” in the 1917 illustration also wears.

(More about Mick Rock’s Dude ’72, the photo, after the fold…) [Read more…]

[ Read more… ]

July 29, 2015

Re: Dude ’72 and his “PIP” brand cardboard guitar

Dude-PIP-Guitar“Dude ’72” photo by Mick Rock (Camden Town, Summer 1972)

In 2009, when I first wrote about Mick Rock‘s photo of a boy playing with a cardboard guitar in 1972, I had no idea what sort of box it was that had been used to make the Dude’s guitar.

Yesterday, an email from England provided the answer: it was a PIP brand cauliflowers box.

I randomly came across this photo a short time ago and noticed the cardboard used for the guitar is from a box belonging to my family’s farm. The boxes would have been used to take produce to markets across London years ago…

My family’s farm has been on the go for a few generations now but under various names for different purposes. PIP farm produce was run by my grandfather and his brother. ‘Pip’ was actually a nickname given to my grandfathers brother (his name Peter Pearson). This side of the business was market based, we owned lorries that distributed our home grown produce to markets up and down the UK. It was dissolved in 2000 when the supermarkets started to rise and take over. We carried on growing and started to supply them, via larger haulage firms. Thus us selling the lorries etc and that side of the business becoming redundant.

Anyway, farming is my family’s history and I have to say I’m pretty sentimental about this old cardboard box. My dad is also a pretty big fan of Mott the Hoople. And it was only by complete chance we came across this photo. I love it.

Charlotte F.

PIP-cauliflowers-box

Charlotte’s dad being a Mott the Hoople fan is significant because Mick Rock’s photo —of a boy playing a guitar made from a PIP (Farms Produce) Limited box— was originally earmarked for the cover of Mott the Hoople’s album, All the Young Dudes, produced by David Bowie. Why was it never used for that purpose?

The photo appears in Mick Rock’s book, Glam! An Eyewitness Account with an accompanying caption that seems intentionally vague: “Why it wasn’t used I can’t remember, nor can Ian Hunter, must have been a chemical shift.”

I wrote some unkind things in 2009 about the illustration that preempted the Dude ’72 photo. (If I was overly harsh, it was only because this particular photograph would have made such a great album cover.)

Delving into it a bit deeper, I learned that the illustration I was disparaging in 2009, was the work of musician/artist, George Underwood. The credits on the back of the album attribute “sleeve concept / art direction” to Mick Rock. George Underwood is credited with “colour retouching,” which one might have assumed meant retouching of the photos, but must, instead, refer to Underwood’s cover illustration.

Reading about Underwood’s early history with Bowie, I have a new working hypothesis about how this substitution came to be made. I’m guessing that it was Bowie’s idea to give Underwood the cover, and that art director, Mick Rock chose to go along to get along.  Note: It turns out I have that part mostly all wrong. (Stay tuned for corrections!)

(One more thing after the fold…) [Read more…]

[ Read more… ]

May 13, 2016

All the Young Dudes Album Cover: illustrated in 1917

All-the-Young-Dudes-album-coverThe single package that this blog has probably devoted the most attention to [here & here] is the cover of the Bowie-produced 1972 Mott the Hoople album: All the Young Dudes.

I never liked this cover, but, for me, it exists in a paradoxical sort of “Schrödinger’s cat” dimension, where the record simultaneously wears two completely different covers. (And it’s the other cover that I prefer.)

I’m no physicist and package design is not quantum mechanics. Schrödinger’s cat was a thought experiment in which a cat was simultaneously alive and dead—but, clearly, this 1972 album cover is not a matter of life and death.

So why am I writing (yet again) about an album cover that I don’t much like? I recently learned some new things about both versions of the cover.

In today’s post (part 1 of 2), I’m sharing what I’ve learned about the cover with the illustration.

To my mind’s ear, the song [All the Young Dudes] will always sound as if it’s wafting scratchily from my teenage bedroom, where it’s forever 1970-something and my off-brand record player is set to repeat. I’m lost in the illustration on the cover of Mott’s All the Young Dudes …

… how did the sharp-dressed trio of Gatsby-esque guys on the jacket relate to the title track or, for that matter, glam? Were they the young dudes of the song? Given the obliquity of the lyrics, fans bent on exegesis mined everything, even the record cover, for hidden meanings.

Mark Dery, All the Young Dudes, Why Glam Matters, 2013

I used to think that the illustration had been done by George Underwood, but reading Mark Dery’s 2013 essay, All the Young Dudes, Why Glam Matters, I finally came to understand that it was a vintage illustration that Mick Rock had appropriated (and George Underwood had then tinted) for the design of the cover.

To be sure, they look like college students, maybe 1920s Ivy Leaguers; their fashion dates them, unmistakably, to the Jazz Age. Then, too, the painting itself was done in the jauntily elegant style of ’20s illustrators like J.C. Leyendecker…

Was the image on the Mott LP a reproduction of an old illustration, one of Leyendecker’s Saturday Evening Post covers, maybe? Or just a ’70s take on period style?

Either way, was the designer—in this case, the photographer Mick Rock, portrait painter to the court of glam—putting ironic quotes around the manliness of the
hail-fellow-well-met guys in the picture by dropping them onto an album called All the Young Dudes?

Dery had interviewed Mick Rock and confirmed that the illustration had indeed come from an old issue of Saturday Evening Post.

Reading that, I immediately wanted to see if I could unearth the 1920s illustration that M. Rock had chosen to use. It took some doing, but eventually I did manage to find it.

Although the chaps in the illustration may typify what we now think of as a 1920s look, the illustration did not really come from that decade. It came from a black and white 1917 ad for Society Brand Clothes.

Society-Brand-Clothes-Ad-SEP-1917

This explains a lot. The slogan — “FOR YOUNG MEN AND MEN WHO STAY YOUNG” — must certainly have stuck M. Rock as an appropriately specific reference. (Young men = young dudes) The old English typeface came from the Society Brand Clothes logo. The bad swash typography that the band’s name was set in, was an anachronistic 1970s touch.

(More about Society Brand Clothes, etc. after the fold…) [Read more…]

[ Read more… ]

September 24, 2009

All the Young Dudes Original Album Cover Art

All the Young Dudes Original Album Cover Art
“Dude ’72” photo by Mick Rock (Camden Town, Summer 1972): All the Young Dudes Original Album Cover Art

For obvious reasons I really like Mick Rock’s photo of this English boy, outside with his cardboard guitar. (I’m guessing the kayak must have been for Regent’s Canal since I don’t see any other bodies of water on a map of Camden Town.)

We went to the opening of Mick Rock’s Glam! show on Staten Island a couple weeks ago. This photo was there.

The original cover photo for Mott The Hoople’s classic Bowie-produced album “All The Young Dudes” … Why it wasn’t used I can’t remember, nor can Ian Hunter, must have been a chemical shift.

Mick Rock
Glam! An Eyewitness Account

A chemical shift or just a really bad executive/creative decision? The album cover that they ultimately went with—(with a 1940s-style illustration of some English public school chaps in suits)—was so crummy by comparison, it was embarrassing. (I don’t even want to stink up the blog by showing it; you can go here to see it, if you want.) [Update: I was wrong and not just about the illustration being 1940s style…]

In my second year at college, I remember going to a Providence record store to buy that album and just cringing when my girlfriend at the time held it up and, from across the store, called out, “Randy, here’s Mott the Hoople!”

I think I might have held my head a little bit higher, if the English boy with the cardboard guitar had been on that album cover instead.

Updates: Our Interview with “Dude ’72”  and  Dude ’72 and his “PIP” brand cardboard guitar

[ Read more… ]

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